Writing can be healing. But writing can also re-traumatize, making it difficult to tell the stories that shape us. In this two-day nonfiction intensive in New York City, we’ll gain an understanding of how the physiological processes of trauma interact with a writing practice, explore craft challenges specific to trauma, and practice owning on the page our complicated, contradictory selves.

In this 12-hour weekend intensive at Seattle’s Hugo House, writers explore what it means to write “crazy,” from the quiet stutterings of mental illness to the way violence echoes in us. Beginning with an overview of how physiological trauma and shame interact with our writing, this class will explore personal exposure, self-characterization, wild syntax, and the danger of melodrama.

Our most powerful stories can be the most brutal to write, leaving us frustrated, traumatized, and stuck. What gets in the way? How can we push forward without damaging our mental and physical health? In this 8-week nonfiction class online through Catapult, we’ll build a craft toolbox for unlocking urgent stories that have so far resisted telling.

In this eight-week class for prose writers, we’ll dive into how scenes work and what they accomplish, exploring how scenes develop characters, seed tension, establish place and time, facilitate flashbacks, soften research, and build deeper themes in a story/essay.

In this six-week class, writers explore what it means to write “crazy,” from the quiet stutterings of mental illness to the way violence echos in us. Beginning with an overview of how physiological trauma and shame interact with our writing, this class will explore personal exposure, self-characterization, wild syntax, and the danger of melodrama.

How do we write sex? And if we don't, why not? In this five-week nonfiction workshop at Tucson Hop Shop, participants will consider the role of the sex scene in storytelling, explore the relationship between sensuality and lyricism, discuss the politics and ethics of writing sex, and write out of the unique terrain of their own bodies.

Our most powerful stories can be the most brutal to write, leaving us frustrated, traumatized, and stuck. What gets in the way? How can we push forward without damaging our mental and physical health? In this 8-week nonfiction class online through Catapult, we’ll build a craft toolbox for unlocking urgent stories that have so far resisted telling.

How do we make meaning from our sexual experiences? What do our personal stories have to offer the world, and what is the best way to share them? In this bawdy and introspective 12-hour intensive at Hugo House, writers will work to build strong connective tissue between their own sexual stories and larger questions about sex that our culture is grappling with.

Writing can be healing. But writing can also re-traumatize, making it difficult to tell the stories that shape us. In this weekend intensive, writers gain an understanding of how the physiological processes of trauma interact with a writing practice, considering craft challenges like the fragmentation of memory, engaging dramatic material without melodrama, elevating a deeply personal story into a universal inquiry, and owning on the page our complicated, contradictory selves.

Writing can be healing. But writing can also re-traumatize, making it difficult to tell the stories that shape us. In this weekend intensive, writers gain an understanding of how the physiological processes of trauma interact with a writing practice, considering craft challenges like the fragmentation of memory, engaging dramatic material without melodrama, elevating a deeply personal story into a universal inquiry, and owning on the page our complicated, contradictory selves.

How do we make meaning from our sexual experiences? What do our personal stories have to offer the world, and what is the best way to share them? In this bawdy, smart, and introspective 10-hour weekend intensive, writers will work towards a personal essay about an aspect of their sexual experience, learning to build strong connective tissue between individual sexual stories and the larger questions about sex that our culture is grappling with.

Writing can be healing. But writing can also re-traumatize, making it difficult to tell the stories that shape us. In this weekend intensive, writers gain an understanding of how the physiological processes of trauma interact with a writing practice, considering how writers manage craft challenges like the fragmentation of memory, engaging dramatic material without melodrama, elevating a deeply personal story into a universal inquiry, and owning on the page our complicated, contradictory selves. Hosted by Hugo House in Seattle. 

How do we best tell our stories of illness? In this private 12-hour class in downtown Seattle, writers will consider how different revision strategies can showcase, enrich, or tighten the stories they have to tell. Writers will workshop an essay of their own, provide feedback to peers, and discuss Lauren Slater's Prozac Diary.

In this two-day intensive, we'll commit to bringing to light nuanced, thoughtful explorations of the grey space between sex and sex crimes. Letting the #MeToo movement inform our space, here we'll wrestle with sex's inherent uncertainties; here we'll examine our own complicated desires concerning power; here we'll pen the events that, with a slight twist, could have ended up so differently. 

There is a great temptation to airbrush ourselves on the page, and yet this leaves us not only less trustworthy on the page, but less interesting. In this nonfiction seminar, students will explore how the contradictions in their personalities—the gaps between dirty laundry and grace—are the most interesting space. Hosted by the University of Arizona Poetry Center in Tucson. 

 The problems of modern illness are the craft problems of illness narratives. In this 2-day workshop at Hugo House in downtown Seattle, we’ll use published illness writing as our launching pad for exploring how to successfully manage the chronology, scope, and language of modern illness experiences.

What stories does a body have to tell? In this two-day workshop, we’ll use the anthology Beautiful Flesh: A Body of Essays to unlock the stories folded into our limbs and organs, considering how different forms and voices allow us to make meaning from our corporeal histories. On January 14, we'll share our work at a public reading in Tucson Hop Shop's sunny beer garden: a body we have written together.