Katherine E. Standefer writes about the body, consent, and medical technology from Tucson, Arizona. Her debut book Lightning Flowers is forthcoming from Little, Brown Spark in early 2020 and was shortlisted for the 2018 J. Anthony Lukas Works-in-Progress Award from the Columbia Graduate School of Journalism and the Nieman Foundation for Journalism at Harvard University. Winner of the 2015 Iowa Review Award in Nonfiction, her essay "In Praise of Contempt" appears in Best American Essays 2016, edited by Jonathan Franzen and Robert Atwan, and her essay "Wilderness" was selected as Notable in Best American Essays 2017. Her other work has been published in or is forthcoming from Virginia Quarterly Review, The Normal School, The New England Review, Fourth Genre, The Iowa Review, Crazyhorse, The Colorado Review, Quarterly West, Cutbank, The Indiana Review, Fugue, Camas, High Country News, Edible Baja Arizona, Terrain.org, The Essay Daily, Lithub, and The Rumpus. She earned her MFA in Creative Nonfiction Writing from the University of Arizona. She is a professor in Ashland University's Low-Residency MFA program.
Standefer is a Fall 2018 Logan Nonfiction Fellow at The Carey Institute for Global Good in Rensselaerville, New York, which advances deeply reported, longform nonfiction about the most pressing issues of our day. She is also a Fall 2018 Jentel Arts Resident in Banner, Wyoming. She was a Fall 2017 Marion Weber Healing Arts Fellow at The Mesa Refuge in Point Reyes, California, which supports writers working at the intersection of nature, human economy, and equity.
Standefer has taught nonfiction at the Virginia Quarterly Review Writers' Conference in Charlottesville, Hugo House in Seattle, the Boulder Writers Studio, the University of Arizona Poetry Center, Casa de Libre in Tucson, and the University of Arizona's undergraduate creative writing program. She has also taught narrative medicine at the University of Arizona College of Medicine and The Examined Life Conference at University of Iowa's Carver College of Medicine.
Originally from outside Chicago, Standefer has spent the last fifteen years between Wyoming, Colorado, and Arizona. She earned a B.A. in Sociology and a B.A. in English- Fiction Writing from The Colorado College, where she was awarded the Colorado College Award in Literature, the Bridges Prize in Poetry, and the Reville Prize for Fiction. She took third place in the 2006 Playboy College Fiction Contest.
Her book Lightning Flowers traces the global supply chain of her internal cardiac defibrillator, considering whether her lifesaving device could have caused loss of life elsewhere. Research for the book has been supported by a University of Arizona Writing Program Fellowship and by a 2014 Kickstarter project , which enabled primary source research on mining and corporate social responsibility on the island of Madagascar.
Her manuscript Strange Gifts of the Body: A Sexual Reckoning is a sexual autobiography that unfolds in the intersection between sex, self, and culture, asking what it means to be both animal and human. Standefer is an American College of Sexologists Certified Sexologist.
Over the last fourteen years, Standefer has worked with thousands of students as a sexual health educator, global mentor, outdoor educator, writer-in-residence, freelance editor, and college instructor. She is an award-winning composition and creative writing teacher, and works from a trauma-informed and sex-positive framework. As she turns her attention to completing her first book (now under contract), she is not offering creative coaching. (This service will return after March 1. Reserve your spot now.) A limited number of individual manuscript readings will be offered.
“Diggers.” #VQRTrueStory series, Virginia Quarterly Review. Forthcoming December 2018.
"The Unmaking." New England Review. Forthcoming. Volume 39, Issue 4. December 2018
"Anatomy of the First Kiss." Crazyhorse. Forthcoming Fall 2018.
“Rock Kicker.” Alpinist Magazine. Forthcoming Fall 2018.
"Threat." Quarterly West. Issue 95. Fall 2018.
"Hallelujah the Blind Gifts." The Normal School. Volume 11, Issue 1. May 2018.
"The Sustenance of Democracy." Edible Baja Arizona. Issue 24. May/June 2017.
"Geography of Control." High Country News. Issue 49.2. February 6, 2017.
"The Taste of Lavender." The Indiana Review. Issue 38.1. Summer 2016.
"Animalis: References for a Body, one winter." Fourth Genre, Issue 18.1. March 2016.
"Wilderness." Cutbank. Issue 84. March 2016.
"In Praise of Contempt." The Iowa Review. Issue 45.3. Winter 2015/2016.
"Outside the Hoover Dam." High Country News. Issue 47.7. April 27, 2015.
"Shock to the Heart, Or: A Primer On the Practical Applications of Electricity." The Colorado Review. Issue 42.1. Spring 2015.
"Clearcut." Fugue. Issue 47. Fall 2014.
"Seeing Mines." Terrain.org. April 14, 2014.
"Proving Grounds: An Exquisite Corpse from the Nevada National Security Site." Terrain.org, with co-authors Andrea Francis, Adam Kullberg, Lawrence Lenhart, Laura Miller, Kendra Mullison, and Craig Reinbold. February 26, 2013.
"A Letter to Fire." Camas. Winter 2008.
"Stealthwalkers." Camas. Summer 2008.
"In Praise of Contempt" appears in The Best American Essays 2016, edited by Jonathan Franzen and Robert Atwan, from Houghton Mifflin Harcourt, October 2016.
"Kati Standefer on the Mysterious Leslie Ryan and the Structure of a Trauma Narrative" appears in How We Speak To One Another: An Essay Daily Reader, edited by Ander Monson and Craig Reinbold, Coffee House Press, Minneapolis, MN, February 2017.
"Shock to the Heart, Or: A Primer on the Practical Applications of Electricity" appears in Beautiful Flesh: A Body of Essays, edited by Stephanie G'Schwind, Center for Literary Publishing, Fort Collins, CO, May 2017.
“The Ascension of Matthew Shepard: A painter examines the aftermath of a murder motived by hate, 20 years later.” The High Country News. October 12, 2018.
"The Weaponized Landscape: On the Border With Francisco Cantu." The High Country News. November 13, 2017.
"Eating Local--More Than Ever--Is A Political Act." Civil Eats. Republished with permission from Edible Baja Arizona. July 4, 2017.
"To Change Sexual Culture, First Change Yourself." Guest Opinion, Tucson Weekly. October 29, 2015.
"Love: It's What's For Dinner." Edible Baja Arizona. May/June 2015.
"A Few Foresummer Reminders." Edible Baja Arizona. May/June 2015.
"Slaking Tucson's Thirst." Edible Baja Arizona. March/April 2015.
"No Girly Beer." Edible Baja Arizona. March/April 2015.
"A Perfect Canvas." Edible Baja Arizona. September/October 2014.
"Forgetting We Live in the Desert: Rafael de Grenade on tough landscapes, writing as inquiry and climate change." High Country News. September 15, 2014.
"The Revolution Requires Cover Crops." Edible Baja Arizona. March/April 2014.
Writing about Writing
"Stumble," from the #WhatHappenedOnJune21 project by Essay Daily, July 11, 2o18.
"Cheryl Strayed is Fed Up With Memoir-Bashing." Lithub. September 22, 2017.
"The Body Is A Walking Anthology: An Interview with Monica Ong." Kore Press website. May 23, 2017.
"Breaking the Body: On the Writing of Animalis." Fourth Genre, Issue 18.1. March 2016.
"The road to better eating, in an era of compromise: A review of Megan Kimble's Unprocessed: My City-Dwelling Year of Reclaiming Real Food." High Country News. January 25, 2016.
"A Marriage of Unequals: Review of Alexandra Fuller's Leaving Before the Rains Come." High Country News. October 26, 2015.
"Kati Standefer and Danielle Ofri on the origins of Bellevue Literary Review and the problems of the illness narrative." EssayDaily.org. August 3, 2015.
"Essay Gift List Picks From Kati Standefer." EssayDaily.org. December 19, 2014.
"Kati Standefer and Rafael de Grenade on Bad Journals, Poor Decision-Making, and the Hazards of Writing Our Younger Selves." EssayDaily.org. August 20, 2014.
"Kati Standefer has an Edward Abbey Problem." EssayDaily.org. January 13, 2014.
"Kati Standefer on the Mysterious Leslie Ryan and the Structure of a Trauma Narrative." EssayDaily.org. March 11, 2013.
"Kati Standefer on David James Duncan and the Art of Seeing." EssayDaily.org. February 13, 2013.
"The Last Book I Loved: The Lake." The Rumpus.net. September 30, 2009.
Logan Nonfiction Fellow, Carey Institute for Global Good. Renesslaerville, New York, Fall 2018.
Writing Resident, Jentel Arts Foundation. Banner, Wyoming. Fall 2018.
Beautiful Flesh: A Body of Essays winner of a Colorado Book Award for Best Anthology. Spring 2018.
Lightning Flowers shortlisted for $25,000 2018 J. Anthony Lukas Works-in-Progress Prize from Columbia Graduate School of Journalism and Nieman Foundation at Harvard University.
How We Speak to One Another: An Essay Daily Reader winner of the New Mexico/ Arizona Book Award for Best Anthology. Fall 2017.
"Wilderness" selected as Notable essay in Best American Essays 2017 (ed. Leslie Jamison and Robert Atwan).
Marion Weber Healing Arts Fellow, The Mesa Refuge. Point Reyes, California. Fall 2017.
Finalist for Breadloaf Katharine Bakeless Nason Fellowship, May 2017.
Third Place, Tucson Woman of Influence in the Arts/Culture, Inside Tucson Business. March 2017.
Finalist for The Pinch Journal's 2017 Literary Award in Nonfiction ("Hallelujah the Blind Gifts").
Third Place, Arizona Humanities Rising Star in the Humanities, December 2016.
"In Praise of Contempt" selected for inclusion in Best American Essays 2016 (ed. Jonathan Franzen and Robert Atwan).
Nominated for The Pushcart Prize ("Shock to the Heart, Or: A Primer On the Primary Applications of Electricity," The Colorado Review) 2016.
Finalist in Creative Nonfiction, Tucson Festival of Books 2016 Prizes ("The Taste of Lavender"), February 2016.
Winner, The Iowa Review Award in Nonfiction ("In Praise of Contempt"). May 2015.
Finalist, The Masters Review Anthology IV ("Wilderness"). April 2015.
Finalist, Eddy Award for Best Story: Gardening ("The Revolution Requires Cover Crops" 3/14), Edible Communities, March 2015.
Finalist in Creative Nonfiction, Tucson Festival of Books 2015 Prizes ("Wilderness"), January 2015.
University of Arizona Foundation Award in Creative Nonfiction ("Shock to the Heart, Or: A Primer On the Practical Applications of Electricity"), December 2013.
Semi-finalist in Creative Nonfiction, Tucson Festival of Books 2014 Prizes ("Clearcut"), January 2013.
Finalist, Orlando Prize in Nonfiction ("Dear Husband"), A Room of Her Own Foundation, March 2013.
Honorable Mention, Fifty Shades of Smut Valentine's Day Erotica Contest, Tucson Weekly, February 2013.
First Place, Jackson Hole Writer's Conference Flash Fiction Contest ("Stealthwalkers"), May 2009.
Reville Prize for Fiction ("Moment for Tanagers"), Colorado College, May 2007.
Third Place, Playboy College Fiction Contest ("Seed"), May 2006.
Second Place, Arapahoe Community College Fiction Contest ("Seed"), May 2006.
Bridges Award in Poetry ("Tailings"), Colorado College, May 2006.
Honorable Mention, Associated Colleges of the Midwest Nick Adams Short Story Contest ("Seed"), May 2005.
"How We Speak To One Another: An Essay Daily Reader." Review by David Grandouiller, Cleaver: Cutting Edge Philadelphia.
"Brain Fry." The Depression Sessions Podcast, Episode 53. March 11, 2017.
"How We Speak To One Another." Kirkus Reviews. December 26, 2016.
"SlutWalk 2016: Community members gather to protest victim blaming, rape culture." Jessica Suriano, The Daily Wildcat. November 19, 2016.
"Fourth Genre, volume 18, number 1 (spring 2016)." Julia Jenkins, PagesofJulia.com. October 13, 2016.
"UnSilencing Anatomies: A Tucson program that joins medicine with art." Stephanie Innes, Arizona Daily Star. October 3, 2016.
"Q&A with Instructor Katherine Standefer," The University of Arizona Poetry Center, August 26, 2015.
"The Winners of the 2015 Iowa Review Awards," including judge commentary. Iowa Review Blog, May 28, 2015.
"Interview with Katherine Standefer." Colorado Review Blog; May 8, 2015.
"Lit Mag's Serious Topics Deliver a Slow Burn: Review of Colorado Review Spring 2015." Sara Button, The Review Review.
"The Pleasure Activist: Nine Questions, Sexuality Edition." Ally Booker, Tucson Weekly. April 9, 2015.
artletter #1: "... The stories of our bodies matter; we transform ourselves when we tell them, and we transform our communities when we show up to hear them, to bear witness to nuance and complication. When stories go unheard it is always a matter of social justice." December 5, 2016.
artletter #3: "To live seemed suddenly a stupid sort of faith, a treadmill of activity without meaning or reward." August 6, 2017.
artletter #4: "Achievements are hollow substitutes for a rich writing life, although they can sometimes provide a nice mirage." April 19, 2018.
artletter #5: “I can only tell you what it felt like in my body: a thing lodged beneath my breastbone, almost magnetic.” December 5, 2018.